The Shepheards Oracles

A long poem by Francis Quarles published after his death in 1645. Quarles was a moderate royalist sympathiser and the poem bears this out. There is some lampooning of Archbishop Laud, but also a defence of church government by the bishops and a denunciation of non-conformist clergy. This is the frontispiece and the picture also represents Quarles’ political views. The King defends the tree of religion whilst a cleric waters the roots. On the other side and in the branches however the tree is subject to a variety of attacks. A catholic priest debarks the tree, a tub thumping preacher fires a musket at it, whilst holding a canterbury cap and the liturgy on a pike’s end. Several workmen are chopping at root and branch.

AN00352659_001

 

 

This guy in the branches is definitely dressed as a worker. Short tabbed doublet, breeches and shoes with large openings in the sides. It’s thought that the large side opening made them more width adjustable and may have been made in bulk for the armies.

Screen Shot 2013-02-08 at 08.15.47

 

 

This chap is a mechanic preacher in a tub. He’s a tradesman, not a trained cleric as he’s wearing an apron over his doublet. Spot the ties keeping his breeches tight to his legs. He’s also a brave man firing a gun over his head. I trust his pan cover fits snugly.

Screen Shot 2013-02-08 at 08.16.21

 

And another group of workmen. Chap at the front looks to have had his shoes resoled. Make do and mend.

 

Screen Shot 2013-02-08 at 08.17.42

Advertisements

One Comment to “The Shepheards Oracles”

  1. I love this William Marshall frontispiece. It was his first explicitly Royalist engraving (he also did Quarles’s Emblemes and Hieroglyphicks), and from here onwards you can spot the trend of his work up to the celebrated frontispiece to Eikon Basilike,The King’s Book (and it is interesting to think that this fp for The Shepheards Oracles might be as much Marshall’s political statement as it was Quarles’) . I think he often gets a bad rap (historians of engraving seem to scorn him), but I like his work – and so, apparently, did Quarles and his publisher.
    Thanks for the detail of the characters, it’s interesting to see they’re figured as workers and tradesmen.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: