An engraving appended to the end of A breviate of the life, of VVilliam Laud Arch-Bishop of Canterbury: extracted (for the most part) verbatim, out of his owne diary, and other writings, under his owne hand. / Collected and published at the speciall instance of sundry honourable persons, as a necessary prologue to the history of his tryall, for which the criminal part of his life, is specially reserved by William Prynne of Lincolnes Inne, Esquier, published in 1644. The engraving is by Wenceslaus Hollar.
As ever though, the best part of these crowd engravings is the little details that come out when you zoom in.
At the back of the hall, in the foreground an splendid selection of coats and cloaks, showing the reverse side that you don’t often get in portraits. One or two caps being worn too and a dog seems to have sneaked in on the left hand side.
An annotated group here. A marks the Archbishop in his gown and a black day cap. Unusual not to see him in his bishop’s robes, the rocket with white sleeves would have stood out had he been wearing it. B is black rod, C the Lieutenant of the Tower, D the council for Laud and E the clark who reads the evidence, looking very pleased with himself in a short cloak and laced band. F is a table.
A small group of women here against the tapestried wall on the right hand side. G is the area reserved for members of the Commons, H is Henry Burton who had had his ears removed for criticising Laud in a pamphlet. Henry looks like he might be wearing a ruff. I marks various witnesses, one of whom was Susannah Bastwick, smartly attired in linen kerchief and a coif. Susannah was the wife of John Bastwick who had also lost his ears in the pillory.