Richard Lovelace

The poet and soldier for the Crown, painted by John de Critz in college robes. Lovelace was educated at Oxford where he was granted the degree of Master of Arts. Despite being described in wikipedia as having fought for the King, it turns out that his military career was all on the continent and he was not involved in the Civil War at all. His most celebrated verses are  from his poem entitled “To Althea, From Prison”:

“Stone walls do not a prison make,

Nor iron bars a cage;

Minds innocent and quiet take

That for an hermitage”

 

Richard is wearing his masters gown over what looks to be a doublet and waistcoat beneath, as there are definitely two layers, both heavily buttoned. On his head he wears a scholar’s square cap and a plain linen band around his neck.

 

 

 

The tassels on his band strings appear to be made of tiny knots, rather like an example in Janet Arnold’s Patterns of Fashion 4.

 

 

In this detail you can see the intricate work on the buttons and also the embroidery on his glove cuffs.

 

A New Play

called Canterburie His Change of Diot. Which sheweth variety of wit and mirth : privately acted neare the Palace-yard at Westminster….Anon  (well it would be wouldn’t it?) 1641

Not so much a play, more a short series of sketches which probably lasted no more than five minutes, this is a scurrilous portrait and morality tale of Archbishop Laud in four acts. There are three illustrations that go with the text.

Act 1, the Bishop of Canterbury having a variety of dainties, is not satisfied till he be fed with tippets of mens ears. Enter the Bishop of Canterbury, and with him a Doctor of Physicke, a Lawyer and a Divine; who being set down, they bring him variety of Dishes to his Table…He knocking there enter divers Bishops with muskets on their necks, bandeleeres and swords by their sides.

Here is the jolly crew around the table. Archbish second on the left, I assume the  divine next with the ruff and the lawyer seated to his left. I think the doctor is standing far left, but he also looks like a serving man in doublet and breeches. A doctor ought to be wearing a gown. The  two bishops on the right have the aforementioned muskets and bandoliers.

 

 

Act 2, he hath his nose held to the Grinde-stone. Enter the Bishop of Canterbury into a Carpenters yard by the water side, where he is going to take water, and seeing a Grindle-stone, draweth his knife, and goeth thither to whet it, and the Carpenter follows him.

This is in retaliation for the cutting off of the ears in act one it would seem. The Carpenter is in doublet and breeches with a small brimmed hat and wide linen band. The boy turning the wheel is dressed similarly, though it would seem he has the short “roundhead” hair cut of an apprentice and is also wearing a short apron.

 

 

Act 3 he is put into a bird Cage with the Confessor. Enter the Bishop of Canterbury, and the Jesuit in a great Bird Cage together and a fool standing by, and laughing at them, Ha ha, ha, he, who is the fool now.

Here they are in the cage, the fool on the right is wearing the standard cap with bells and a cloak over doublet and breeches.

 

Act 4 The Jester tells the King the Story.

Sadly no pictures!

 

 

See Heer Malignants Foolerie

retorted on them properly. Satirical pamphlet from 1642 showing Archbishop Laud as a closet catholic. There are three figures shown in the picture increasing in their obvious Catholicism as you look from left to right.  As the title says:

The Sound-Head, Round-Head, Rattle-Head, well plac’d where best is merited

The left hand figure is an independant cleric, dressed in his gown over a doublet with some nice long buttons, a wide brimmed hat and a ruff.

The text underneath reads:

This foolish world is full of foul mistakes

Calls virtue, vice, & Goodnes, Badnes makes

The Orthodox, Sound and Religious Man

Atheists call Round-Head (late) a Puritan

Because Hee (roundly) Rattle-Heads, Truth’s foes

Plainly depaints, As this next figure showes

The next figure in the centre on one side represents Archbishop Laud in his bishop’s rochet (the bishop’s surplice), chimere (the black gown) and square cap, and on the right a catholic priest in cassock and biretta. It’s thought that he is supposed to be Robert Philips who was the Queen’s confessor who had been locked in the Tower for refusing to swear on a “heretical” English bible.

This time the text reads:

See heer, the Rattle-Head’s most Rotten-Heart,

Acting the Atheists or Arminians part;

Under One Cater-cap a Ianus-face,

Rejecting Truth a Crucifixe t’embrace

Thus Linsey-Wolsie, Priestly-Prelates vile,

With Romish-rubbish did men’s Soules beguile

At the bottom, the details of the shoes are nice too. The puritan has the widest side openings though.